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Page updated June 1, 2020. Here's a selection of events from June. Look through all the years for even more!

June 1944 (76 Years Ago)

Baby Roger Daltrey Baby Roger Daltrey

Two-months old Roger and his mother are evacuated to a farm in Stranraer, Scotland. They remain there for the duration of the war. Roger later wonders whether his lack of height came from malnourishment during this period.








June 1962 (58 Years Ago)

Carlo Little

On the 25th, Keith attends a show by Screaming Lord Sutch and The Savages. Afterwards he approaches the band's drummer, Carlo Little, and asks him to teach him his "wildman" drumming style. Carlo agrees. Two days later, Keith gets his first lesson from Little. Little later describes the 15 year-old Keith as "a lad fumbling, trying to play."









June 1963 (57 Years Ago)


John Entwistle in wedding book John Entwistle in wedding book
John Entwistle's message in wedding book

In what must rank as one of the most unusual performances of their careers, Pete, John, Roger and Doug Sandom receive £15 to play a private wedding reception at the Millet Arms in Perivale on the 22nd.







June 1964 (56 Years Ago)

1964 It Was You acetate 1964 It Was You acetate

On the 4th, The Who are back at I.B.C. Studios, London to record Pete's art school composition "It Was You", previously recorded when the band was called The Detours. This performance exists as an acetate but has not yet been released.

Later in the month, The Who go to Philips Studios in London for their first studio session released to date. "I'm The Face", "Zoot Suit", and a cover of Bo Diddley's "Here 'Tis" are put to tape. Jack Bavistock produces. Manager Helmut Gorden and Pete's childhood friend Jack the barber provide handclaps, Pete's friend Richard Barnes plays maracas on "Here 'Tis" and all and sundry sing the backing vocals.

Who dance June 1964 Who dance June 1964

Also during the month, Peter Meaden kits out The Who in the latest mod fashion for a series of photo shoots. One sequence shows them dancing at The Scene Club.



30 June 1964 ad

On the 30th, The Who play their first show at the Bluesday Club at the Railway Hotel in Harrow/Wealdstone. Although they had played at the hotel twice before in 1963 as The Detours, this date is the first at the hotel that will provide the nucleus of The Who's Mod following and be immortalized on the inner gatefold jacket of Meaty, Beaty, Big & Bouncy.



June 1965 (55 Years Ago)

65-06-02 Moon Paris 65-06-02 Moon Paris

On the 2nd, The Who have their first concert outside the United Kingdom at the Club au Golf Drouot in Paris. While there they make television and radio appearances. At the same time their first French EP is released featuring an alternate vocal to "Anyway Anyhow Anywhere" that is not released anywhere else officially until 2002.






1965 - I Can't Explain - French TV from thewho.net on Vimeo.
AAA Billboard Ad AAA Billboard Ad

On the 5th the U.S. release of the single "Anyway Anyhow Anywhere" gets a full-page ad in Billboard magazine. This is practically the only evidence that the single is released in the U.S. at this time as it does not make a dent in the U.S. charts. The b-side is a cover of Garnet Mimms and the Enchanters' soul ballad "Any Time You Need Me", here called "Anytime You Want Me."



On the 16th, Who manager Chris Stamp goes on his first trip to see Decca Records management in New York. The only way he can make the flight is to have his brother, the actor Terence Stamp, downgrade his first-class ticket to two coach tickets as he flies to America to promote his movie The Collector.





June 1966 (54 Years Ago)


On the afternoon of the 3rd, The Who arrive at a TV studio in Stockholm to appear on the Popside program for Sverige Television. Coming onstage busting through a Union Jack paper hoop, they mime performances of "Daddy Rolling Stone," "It's Not True," "Bald Headed Woman," "The Kids Are Alright," "Substitute" and "My Generation" while standing on a ramp. The show is directed by Peter Goldmann, later to direct the promotional films for The Beatles' "Strawberry Fields Forever" and "Penny Lane." It airs on Swedish television on the 5th.


1966-06-03 - The Who - Popside from thewho.net on Vimeo.
The Who in disguises The Who in disguises

On the 14th, The Who record preliminary versions of two new Pete compositions "Disguises" and a song from Pete's first rock opera Quads, "I'm A Boy." "Disguises" is rush mixed to be used the next day on the last episode of BBC-TV's A Whole Scene Going. Pete wears a handlebar mustache and John plays a tuba named "Gladys."

Pete Townshend Datebook 1996 Pete Townshend Datebook 1996

On the 27th, Pete and co-manager Chris Stamp fly to New York City, the first trip by any member of The Who to America. Shortly after his arrival, Pete attends a luncheon for Herman's Hermits who are beginning their 1966 U.S. tour. A reporter from Datebook magazine gets an interview from an irritable Pete while he is photographed by Linda Eastman."I don't know why I'm here, at somebody else's luncheon...Two of your lousy record companies haven't been able to get us a hit in America. Without a hit record, we can't get a visa to perform." When a girl recognizes him and asks if Keith is there because her brother wanted Keith's drumsticks, Pete snarls "He's not here. And if he were, I'm quite sure he wouldn't give you his drumsticks."

Afterwards he and Stamp attend a meeting with attorney Allen Klein on a yacht in the Hudson River. Klein is then partnered with Andrew Loog Oldham, manager of The Rolling Stones, who is also on the yacht during the meeting, but remains on the other side of the craft, feigning disinterest. Klein wants to propose a scheme to get The Who out of the interim injunction brought by their ex-producer Shel Talmy that has blocked The Who from releasing new records. Klein leads Pete to understand that the Talmy troubles will end only if he fires Lambert and Stamp and lets Klein and Loog-Oldham run The Who. Pete instead gives Stamp authority to represent him in the negotiations and leaves to make a gig on the 29th at the University of Sheffield. Klein pays for Pete's first class ticket back home.

While in New York, Stamp, with the help of Klein, makes a deal that gets them around the Talmy injunction by having Decca Records cancel its contract with Talmy in exchange for signing The Who to U.S. Decca via their managers Lambert and Stamp. By so doing, Talmy now has no hold over The Who except for his contract to be their producer and The Who are free to release new music. The Who get a £17,000 advance, 10% royalties from their U.S. releases and the ability to act as free agents in the rest of the world. Klein's price: a piece of Pete's song publishing rights, a fact Pete doesn't discover until eleven years later.



June 1967 (53 Years Ago)


On the 13th, The Who fly back to the U.S. Pete, violating one of the main rules of rock 'n roll touring, brings his girlfriend Karen Astley along for the trip. They and the rest of The Who go to The Roostertail in Detroit where they and Mitch Ryder are guests of honor. John: "We drank several bottles of wine very quickly in the next two hours. The suckling pig arrived, an apple stuck in its mouth, and remained untouched... a charred centerpiece for our bottle-cluttered table. Mitch mumbled something appropriately meaningless as his head fell into his salad plate."

The Who Fillmore Handbill 1967 The Who Fillmore Handbill 1967

On the 16th, The Who make it to the West Coast playing the Fillmore in San Francisco. After years of abuse from promoters, Pete is stunned when the Fillmore's Bill Graham treats The Who as serious artists deserving of respect, an approach that earns him The Who's lifelong friendship and loyalty. What also throws The Who is that they are expected to put on concert-length shows when they only have 20-25 minutes prepared. They rehearse in their hotel rooms trying to come up with more songs for their set.

Monterey Pop backstage Monterey Pop backstage
Photo: Henry Diltz

On the 18th, The Who perform at The Monterey International Pop Festival in Monterey, California. Pete confronts Jimi Hendrix before the show and demands The Who hit the stage before he does since Hendrix will also smash his guitar. If they follow him the crowd will think The Who are stealing Hendrix's act even though they were the ones who originated it. Hendrix plays his guitar and coolly ignores Pete. John Phillips of The Mamas and The Papas finally decides it with a coin toss.

The Who Monterey Smashup The Who Monterey Smashup
Photo: Henry Diltz

The Who will play first but despite this, The Who face another disadvantage Hendrix does not. Their penny-pinching managers have sent them to the festival with rented equipment and amplifiers incapable of conveying the power of their act. Their performance is spotty but no one forgets the ending of "My Generation" with Pete and Keith engaging in a riotous instrument bust-up captured by D.A. Pennebaker's cameras and later featured in the movies Monterey Pop and The Kids Are Alright.








After the show The Who hang out with Mama Cass who ply them with the best of the Bay Area's hallucinogens. Hendrix sets his guitar on fire and smashes it leading Cass to tell Pete, "He's stealing your act!" Pete replies, "No, he's not stealing my act, he's doing my act."

On the 20th, The Who begin their long flight back to London. As Keith is going to swallow a new drug, STP, he was given at the festival, Pete doses himself as well. The result is a long and terrifying trip. It takes almost a week for the drug to completely wear off, leading Pete to permanently swear off psychedelic drugs.

John and Alison Entwistle wedding John and Alison Entwistle wedding

On the 23rd, John marries his childhood sweetheart Alison Wise, the future inspiration for "My Wife," at Acton Congregational Church. This makes him the third member of The Who to get married, but the first of which the public is made aware. Roger and Keith's marriages are still kept secret. Afterwards John and Alison sail off for a honeymoon on the QEII.

Pictures of Lily US ad Pictures of Lily US ad

On the 24th, "Pictures Of Lily" backed with "Doctor Doctor" is released in the U.S. The lyrics cause most radio stations to balk at playing it, so it peaks at #51 in Billboard and #60 in Cash Box.

On the evening of the 24th, NEMS employees are sent out to scour the local celebrity hangouts for extras to participate in the next day's live broadcast of The Beatles performing "All You Need Is Love" on a worldwide television show called Our World. Tony Bramwell finds Keith in The Speakeasy amusing himself by tossing peanuts at the other patrons. He tells Keith to be at Abbey Road's Studio One at 2pm the next day. On the 25th, Keith joins The Beatles, Mick Jagger, Eric Clapton, Marianne Faithfull, Graham Nash and other pop stars. He sits to Ringo's left and only appears in the broadcast as a pair of hands playing drum brushes.





The Last Time French picture sleeve The Last Time French picture sleeve
French picture sleeve

On the 30th, Track Records rushes the double A-sided single "The Last Time" and "Under My Thumb" by The Who into record shops. Accompanying the single is this press release: "SPECIAL ANNOUNCEMENT: The Who consider Mick Jagger & Keith Richard have been treated as scapegoats for the drug problem and as a protest against savage sentences imposed upon them at Chichester yesterday, The Who are issuing today the first of a series of Jagger/Richard songs to keep their work before the public until they are again free to record themselves." Kit Lambert announces all royalties will go to charity.







June 1968 (52 Years Ago)


Early in the month several more attempts are made at recording "Magic Bus" at IBC Studios.

The Who Dogs Track label The Who Dogs Track label

On the 14th, "Dogs" and "Call Me Lightning" are released as a "Double A" side single in Britain. Melody Maker calls it "another Pete Townshend original with tremendous instant appeal" while Record Mirror says it "displays Pete's versatility as a writer." Any hopes it would prove more to the British public's liking than "I Can See For Miles" are dashed when it stalls at #25.

Ad for 1968 Shrine concert Ad for 1968 Shrine concert

On the 28th, The Who headline at The Shrine Auditorium in Los Angeles with Fleetwood Mac and The Crazy World of Arthur Brown supporting. "Mary Anne With The Shaky Hand" and "Silas Stingy" get rare live performances. On the same day Life magazine does a cover story on "New Rock" with a two-page spread of The Who asleep under a Union Jack flag.









June 1969 (51 Years Ago)


On the 9th, The Who and entourage fly to Los Angeles for some r'n'r before their Hollywood concert on the 13th. Everyone stays at the Continental Hyatt House (known to bands as the "Riot" House), all except for Pete who stays with a friend. During the stay manager Kit Lambert and possibly Pete meet with executives from Universal Studios who offer a two-picture deal consisting of a Tommy movie budgeted at $2 million and a concert movie.

Pete Townshend boiler suit 1969 Pete Townshend boiler suit 1969
Photo: Peter Saunders

The show on the 13th at the Hollywood Bowl is the first known time that Pete performs onstage wearing a boiler suit, clothing then only associated with workmen. Pete adopts it both as a rejection of the outlandish fashions of the psychedelic era and to claim he isn't a "rock star" but rather a worker like any other doing his job. Within two months he will trade his white trainers for black Doc Marten boots. The look will have a strong influence on the costumes in Stanley Kubrick's upcoming movie A Clockwork Orange (1971) and will make the utilitarian Doc Marten boots fashionable.

The Who's Woodstock contract The Who's Woodstock contract

On the 26th, Pete is trapped in tour booker Frank Barselona's New York apartment while Barselona attempts to talk Pete into having The Who return to the U.S. in two months for a one-off show. Having just had a brush with the U.S. law and exhausted from the recent tour, Pete is in no mood to give in. After an all-night argument, Pete finally acquiesces, allowing The Who to appear with the cream of Barselona's acts at an outdoor festival named after the town in New York where it is then scheduled to be held, Woodstock.








June 1970 (50 Years Ago)


70-06-07 Photo 70-06-07 Photo

The hippies meet the highbrows. On the 7th, The Who perform Tommy at New York City's Metropolitan Opera House. The usual members of New York's upper crust are joined by hippies and Who fans who are treated to two two-hour concerts. Despite the unusual mix for a Who concert, there are no walkouts. The Who refuse to perform an encore for the second show and in order to get the crowd to disperse, Pete comes onstage and is booed. "After two fucking hours, boo to you too," he replies and walks off. CBS News later shows The Who performing "Amazing Journey," "Sparks" and "We're Not Gonna Take It" from the earlier show.









On the 9th and 10th, The Who perform at Denver's Mammoth Gardens. Pete later says he is confronted backstage by White Panthers angry about his booting Abbie Hoffman from the Woodstock stage the year before. He also says that after the show a groupie tries to seduce him and, fighting off the temptation to cheat on his wife, goes back to his hotel room alone and writes a prayer for strength that begins, "If my fist clenches, crack it open before I use it and lose my cool..." The prayer is later incorporated into the song "Behind Blue Eyes."

On the 22nd, Pete gets dragged off by the authorities because he uses the word "bomb" on a plane. He tells the authorities it is British slang and he was only saying that their new album was going over "a bomb" (i.e.; very well). Three years later John tells what really happened. The Who had not only been stuck a long time in the plane waiting to take off but also had been annoyed by a high-pitched whine coming from the cabin speakers. Having had enough, Pete finally stands up and screams, "I'll tell! I'll tell where the bomb is!" As a result Pete is arrested, delaying the concert at the Atlanta Municipal Auditorium on the 22nd that starts late as The Who fly in at the last minute and rush to the stage.



June 1971 (49 Years Ago)


The Who finish the recording of the Who's Next album at Olympic Studios in Barnes. Six takes of "Bargain" are recorded on the 5th, "Getting In Tune," "Time Waits For No Man" (later retitled "When I Was A Boy") and completion of the 1970 recording "Naked Eye" on the 7th, "Song Is Over" and another take of "Bargain" on the 18th, yet another take of "Bargain" on the 19th and the final mixing of "Let's See Action" on the 20th.

Won't Get Fooled Again US 45 Won't Get Fooled Again US 45

On the 17th, the first tracks from the recent sessions are released. "Won't Get Fooled Again" in a version edited down to 3:55 backed with "I Don't Even Know Myself" is released in the U.S. The A-side states under the song title "From the Motion Picture 'Lifehouse'." It peaks at #15 on the Billboard charts and #9 on the Cash Box charts. The European release follows on the 25th where it reaches #9 in the British charts. The B-side is retitled "Don't Know Myself." Nick Logan in Melody Maker calls the A-side "The Who at their most aggressive, riffy and it's reminiscent in parts of the Stones - particularly in the way the guitars mesh and snarl their answer to the title line. An excellent performance."






June 1972 (48 Years Ago)


On the 5th, The Who record "Long Live Rock" at Olympic Studios, London. The song is meant as the title track for a never-shot Who television special. On the 6th, they record "Put The Money Down" as an instrumental track with guide vocal, leaving it unfinished. By the end of the month The Who have decided to abandon their last two months' attempt to record a follow-up to the Who's Next album. "Long Live Rock" and "Put The Money Down" will remain unreleased for over two years.

Join Together UK ad Join Together UK ad

On the 16th, "Join Together" backed with a live recording of "Baby Don't You Do It" is released in Britain. Chris Welch in Melody Maker calls it rather bland but Roy Carr in New Musical Express calls both sides of the single "10 minutes and 39 seconds of the best music available." The fans agree with Roy, sending it to #9 in the charts.


Sounds 24 Jun 1972 Sounds 24 Jun 1972

On the same day Pete tells Sounds magazine that widespread bootlegging of the Meher Baba devotional albums that have featured his work will lead to him releasing a collection of them through his legitimate record label. It will be called Who Came First. Pete will later discover that MCA mistook the actual releases of the Baba albums for bootlegs.



Join Together shooting ticket Join Together shooting ticket

On the 25th, The Who gather together a select audience of fans at the London Weekend TV studios in Wembley to shoot the promotional film for their new single "Join Together." Michael Lindsay-Hogg directs. The start time is 1pm and refreshments are served. During the early part of filming, Pete slices his right hand open during a windmill and has to be carted off for stitches and bandages. Shooting resumes after his return.






1972-06-25-Join Together Promo Video from thewho.net on Vimeo.


June 1973 (47 Years Ago)


Pete Townshend and Keith Moon listen to Quadrophenia playback Pete Townshend and Keith Moon listen to Quadrophenia playback
Photo: Robert Ellis

On the 1st, primary recording for the Quadrophenia album begins at The Kitchen (later Ramport Studios) in Battersea using Ronnie Lane's Mobile Studio. The first song laid to tape is "Bell Boy."



Roger Daltrey at Quadrophenia recording Roger Daltrey at Quadrophenia recording
Photo: Robert Ellis

On the 8th, the recording of "Love, Reign O'er Me" is finished after having been left incomplete during the May 1972 sessions. Also recorded this month is "Drowned" for which director Ken Russell is present. Both he and Pete later recall that during the recording of this song, a massive rainstorm led to the flooding of the studio. Guest pianist Chris Stainton was in a glass booth performing while the booth gradually filled with water. At the end of the session, the booth was opened and the water came flooding out. Russell was present to confer with Pete on the script he was then writing for the Tommy movie.

Quadrophenia June mix tape box Quadrophenia June mix tape box

A rough stereo mix of at least part of Quadrophenia is assembled on the 28th. The album tracks are "Can You See The Real Me?", "Punk In The Gutter", "Drowned", "Dirty Jobs", "We Close Tonight", "Quadrophenia" (a/k/a "Four Faces"), "5:15", "Dr. Jimmy & Mr. Jim", "Russian Dance", "Is It In My Head".







June 1974 (46 Years Ago)


Pete MSG 1974 Pete MSG 1974

On the 10th, The Who play the first of four nights at Madison Square Garden. The band counts it as a disaster with Roger later describing the show as "fucking horrible". Pete will later claim that New York Who fans were yelling for him to "jump, jump, jump!" faking an enthusiasm he no longer felt although front-rowers at these concerts have said it was an unknown person behind them.









Tommy Pier Fire Tommy Pier Fire

Meanwhile, back in England, Ken Russell is filming part of the "Bernie's Holiday Camp" sequence for the Tommy movie at the South Parade Pier in Portsmouth on the 11th. Somehow a fire starts and the pier burns down. Footage of the burning pier makes its way into the final film

Ann-Margret Champagne shoot Ann-Margret Champagne shoot

Shooting for the "Champagne" and "Smash The Mirror" sequences are held on the 21st, 22nd, 24th, 25th and 26th. Ann-Margret's scene wallowing in foam, chocolate and baked beans has to be postponed at one point after she cuts her hand on shards of the broken television from which the conglomeration emerges.












June 1975 (45 Years Ago)


On the 2nd, Roger goes to Shepperton Studios for the first day of a two-day shoot of music videos to promote his forthcoming second solo album Ride a Rock Horse. The final collection, produced by Gavrick Losey premieres on the 30th at the Starlite Cinema, Mayfair Hotel, London.


1975 - Roger - Ride a Rock Horse Promo Film from thewho.net on Vimeo.


June 1976 (44 Years Ago)


The Who at Swansea 1976 The Who at Swansea 1976

On the 12th, The Who hold their final paying concert in the U.K. with Keith Moon at the Swansea Football Ground in Swansea, Wales. The concert is officially recorded by producer Glyn Johns but left unreleased until 1994 with "Dreaming From The Waist" on the 30 Years of Maximum R&B boxset. Additional tracks, but not the entire concert, have since been released on various Who compilations. After the show, Keith flies back to his Los Angeles home.




June 1977 (43 Years Ago)


Keith Moon Led Zeppelin Keith Moon Led Zeppelin

On the 23rd, Keith Moon comes out of seclusion to join Led Zeppelin during an encore at the Los Angeles Forum. While John Bonham drums to "Moby Dick", Keith plays tympani and tambourine.






1977-06-23_Keith w Led Zeppelin from thewho.net on Vimeo.


June 1978 (42 Years Ago)


On the 16th, the members of Monty Python's Flying Circus vote to include Keith Moon as a cast member in their forthcoming movie Life of Brian. Keith was to play the role of a "mad prophet" but will die days before his part was to be filmed.



June 1979 (41 Years Ago)


The Kids Are Alright soundtrack The Kids Are Alright soundtrack

On the 5th, The Kids Are Alright soundtrack double LP is released in the U.K. and on the next day in the U.S. Complimentary reviews come from Chris Welch in Melody Maker, Charles Shaar Murray in New Musical Express and Steve Simels in Stereo Review. Greil Marcus dubs the album "okay" in Rolling Stone, using the review as a platform to damn the song "Won't Get Fooled Again" for being "stale." David Hepworth in Sounds gives the record a thumbs-down in a review entitled "How To Flog Dead Horses." The album peaks at #26 in Britain and #8 in America.

The Kids Are Alright poster The Kids Are Alright poster

On the 14th, the movie The Kids Are Alright has its U.S. premiere in New York. John and Kenney Jones fly over to attend the showing. The next day they are interviewed on WPIX and WPLJ radio. Pete flies over on the 16th and the three are interviewed on WLIR. The following evening Pete, John and Kenney attend a dinner party in honor of The Who at Windows on The World at the top of the World Trade Center. Roger, meanwhile, stays in England to work on his movie McVicar.

Pete Townshend Secret Policemans Ball 1979 Pete Townshend Secret Policemans Ball 1979
Photo: Paul Cox

On the 30th, Pete performs as a solo act with acoustic guitar at Her Majesty's Theatre in London as part of The Secret Policeman's Ball event benefiting Amnesty International. His performances of "Pinball Wizard", "Drowned" and "Won't Get Fooled Again", the latter accompanied by classical guitarist John Williams, are later released on The Secret Policeman's Ball album and video.










June 1980 (40 Years Ago)


On the 14th, Pete's solo single "Let My Love Open The Door" backed with "And I Moved" hits the U.S. charts and goes on to become Pete's biggest U.S. success as a solo artist reaching #9 in the Billboard charts and #11 in the Cash Box charts. This ties it with the highest position achieved by a Who single in the U.S., "I Can See For Miles" in 1967.


1980 - Pete Townshend - Let My Love Open The Door from thewho.net on Vimeo.
80-06 Pete Townshend 80-06 Pete Townshend
Photo: Tom Wright

On the 18th, The Who's extensive tour of North America resumes after a six-week break. Trouble starts after the first show at the San Diego Sports Arena as Pete punches a wall and breaks several bones in his right hand. He has to wear a cast for the rest of the tour.











June 1982 (38 Years Ago)


Pete Townshend New Musical Express June 1982 Pete Townshend New Musical Express June 1982

On the 4th, Pete fills in Time Out magazine on his two-year drug and alcohol binge and his recent recovery. He provides the same to New Musical Express on the 12th.




The Who, meanwhile are at the Turn-Up-Down Studios located in Glyn Johns' home in Surrey recording It's Hard that will end up being their last studio album for twenty-four years. The sessions are contentious with Roger denouncing the songs as crap and begging Pete to scrap the album. According to Roger, Pete refuses saying, "Too late. It's good enough. That's how we are now."



June 1983 (37 Years Ago)


On the 15th, The Who hold a business meeting at manager Bill Curbishley's office. Pete writes later in his diary, "I stood by my decision to leave. Bill seemed to be the only one who could see I wasn't going to change my mind." The Who will not join together until Live Aid over two years later.



June 1984 (36 Years Ago)


Musician July 1984 Musician July 1984

Roger is interviewed for Musician magazine by Chris Salewicz who remarks that Roger still does not seem reconciled to Pete's disbanding The Who: "I feel his reasons for leaving the Who don't really hold water. The real reason, I think, was not that he couldn't come up with the songs but that he just didn't want to play with us any longer. He was bored."



Princess Diana - Pete Townshend Princess Diana - Pete Townshend

Pete attends Prince Charles' Rock Gala at Royal Albert Hall and sits in the box with the Prince and Princess Diana. That month he also attends the Prince's Trust London premiere of the movie Indiana Jones and the Temple of Doom which is also attended by the Prince and Princess. It is probably at one of these events that the Princess, on recognizing Pete in her presence again, says, "Oh, you again, you must be keen." Pete manages to supress his anger at the royal condesension.




June 1987 (33 Years Ago)


Guess Who Said No Guess Who Said No

On the 8th, the British press reports that The Who have turned down £16m for an eight-week tour of the U.S., Japan, Australia and three South American countries to start February 1988. Says John: "I've turned down the offers to concentrate on my new group, The Rock. It's all over for The Who. We've all got solo careers now."









June 1989 (31 Years Ago)


Musician July 1989 Musician July 1989

Musician carries a pre-tour article and interview with The Who. The cover presents a drawing of the three members over a dollar bill and the article damns them as sellouts. Inside, interviewer Charles M. Young gets in a heated exchange with Pete on the subject of the tour sponsorship by a beer company.

The Who Miller poster 1989 The Who Miller poster 1989

On the 21st, The Who play a warm up show for their tour at the Glens Falls, New York Civic Center. The tour officially begins on the 23rd and 24th at Toronto's C.N.E. Stadium. The show consists of two acts with intermission, act one being Tommy and the second a collection of Who hits, Pete solo material and some selected rarities. Pete plays only acoustic guitar through the first act, then electric in sections of the second act. For the tour Pete, Roger, John and keyboardist John "Rabbit" Bundrick are augmented by drummer Simon Phillips accompanied by percussionist Jodi Linscott, electric guitarist Steve Bolton, a horn section and backup singers led by Billy Nicholls.









1989-06-21 - Glens Falls - Pinball Wizard from thewho.net on Vimeo.


June 1990 (30 Years Ago)


On the 5th, it is reported that Pete has turned down £2 million from Coca-Cola to use "My Generation" as part of their "Generation after Generation" ad campaign.



June 1993 (27 Years Ago)


Psychoderelict CD Psychoderelict CD

On the 4th, Pete's last solo album of new material, PsychoDerelict, is released in the U.K. It is released in the U.S. on the 15th. Q Magazine says the new songs "aren't terrible" but the radio play around the songs is let down by "terrible dialogue." New Musical Express calls it "dazzling ambitious." Rolling Stone says the album allows Pete to "explore themes that have long obsessed him" despite the story's "cliché and bombast." Entertainment Weekly says it has meaty songs if you can get past the "high concept." Robert Christgau in the Village Voice claims Pete "wrecked his record with voiceovers and bad dialogue." Atlantic Records told Pete they thought the album would be a big seller but it fails to chart in the U.K. while in the U.S. the album peaks at #118.

Pete Townshend with Tony Award Pete Townshend with Tony Award
Photo: Ron Galella

On the 6th, Pete wins Tony awards for best book (musical) and best score (musical) for The Who's Tommy. Pete sets the Who gossip mill turning by showing up for the event accompanied by New York journalist Lisa Marsh instead of his wife Karen.




Pete Townshend at Rock N Roll groundbreaking Pete Townshend at Rock N Roll groundbreaking

On the 7th, Pete attends the groundbreaking ceremony for the Rock and Roll Hall Of Fame in Cleveland. Pete mimes guitar playing with his shovel. "Originally it was music that came from people that were in trouble, and spoke deeply and hugely and heroically from deep down in their soul. That's what we inherit here today. It's a real living, breathing religion - that's how I feel about it." He also donates to the museum the Gibson J-200 guitar on which he composed Tommy. Chuck Berry and Billy Joel are also present.




June 1994 (26 Years Ago)


Roger Daltrey Goldmine 1994 Roger Daltrey Goldmine 1994

Late in the month, the newest issue of Goldmine Magazine (July 8) hits the stands containing a long talk with Roger. The bad feelings caused by Pete's refusal to participate in a 30th anniversary tour and the then lawsuit over payments from the Tommy musical lead Roger to give the bitterest interview of his career. He says Pete "used" him and John on the recording of The Iron Man, and treats them "like fucking toilet paper," that when The Who broke up that "was the end of John's life" and calls Kenney Jones drumming "fucking awful".








June 1996 (24 Years Ago)


Roger knocked out 1996 Roger knocked out 1996
Photo: Terry O'Neill

Pete, Roger and John begin rehearsals for the upcoming live version of Quadrophenia. Those rehearsals come to an abrupt end on the 28th after Gary Glitter spins a microphone stand and accidentally slams one of the prongs on the base right into Roger's eye, smashing the bones of his eye socket. Incredibly, Roger agrees to go on the next day despite the severe injury. Pete, interviewed by the press before the show, is brimming with admiration for Roger for not cancelling.


Pete Townshend Hyde Park 1996 Pete Townshend Hyde Park 1996

Billed under their separate names, Pete, Roger and John perform the entirety of Quadrophenia live at the Masters of Music festival at Hyde Park on the 29th. It is the first time the work has been played live in its entirety since the first night of The Who's 1973 U.K. tour. Phil Daniels of the movie version narrates, Gary Glitter plays the Godfather, Ade Edmundson is the Bell Boy, Trevor McDonald reads the news and Stephen Fry is the hotel manager.


Ralph Steadman on 1996 Hyde Park Ralph Steadman on 1996 Hyde Park
Drawing: Ralph Steadman

Pete plays only acoustic guitar and piano leaving the electric guitar parts to Dave Gilmour. Zak Starkey takes the drummer's seat for the first time for the group that will soon revert to the name The Who. Roger wears a Mod eyepatch to cover his injury. Quadrophenia is preceded by performances by Alanis Morrisette and Bob Dylan and followed by Eric Clapton. Highlights from the show are later broadcast on HBO in the U.S. The entire event raises money for the Prince's Trust charity. Before the show all the performers meet backstage with Prince Charles.








1996-06-29-Hyde Park from thewho.net on Vimeo.


June 1999 (21 Years Ago)


Pete writes to Bill Curbishley, agreeing to the reformation of The Who to get John out of debt. What must have sounded at the time like a short-term reunion continues without breakup to this day, long after John's death.



June 2002 (18 Years Ago)


On the 10th, The Who begin rehearsals for their 2002 North American tour, some of which are carried live on Pete's website. Some fans remark on the fact that John remains seated throughout the webcast rehearsals. On the 15th, The Who conclude rehearsals playing "Who Are You," "Love Reign O'er Me" and "Bargain." It will be the last time Pete, Roger and John will perform together.



John Entwistle last photo
Photo: James Mac Leod

On the 26th, John arrives at the Hard Rock Hotel in Las Vegas where The Who are set to start their 2002 North American tour. He spends the afternoon shopping for Western wear and boots, then spends some time with friend Cy Langston and others at the hotel bar where his last picture is taken. Later that night he retires to Suite 658 with Déjà Vu Showgirls dancer Alison Rowse. John warns her not to let him sleep on his back as so many of his friends have died that way choking on vomit. John dodges that fate but not the heart attack that kills him early in the morning. Alison discovers John has died upon awakening at 10am on the 27th. She tries unsuccessfully to revive him, then calls Cy who arrives at noon and calls the coroner and members of The Who.

A weeping Roger visits Pete and leaves it to him what to do about the tour due to start the next day. After a night's thought, Pete decides to bring in expert session bassist Pino Palladino (White City, Psychoderelict tour and many, many other credits) to replace John and to start the tour by July. The news is almost as shocking to Who fans as John's passing. Journalists and many fans denounce the decision but Pete later explains that he felt the tour had to continue due to the large number of people who would suddenly be without employment if he cancelled the tour.

Flowers at the Hard Rock Flowers at the Hard Rock

Meanwhile grieving fans, some of whom had flown in from distant locations to attend the show, leave flowers and remembrances at the Hard Rock Hotel.













June 2003 (17 Years Ago)

On the 23rd, Pete Townshend publishes a diary message stating: "Without my help, work is being done today by good people who are fighting hard to combat both the spread of sewage on the internet and the terrible psychological effect that could have on the minds of the children of the future. Every time it occurs to me to say something about what is going on I remember what happened to me: I was arrested, suspected of wallowing in the very shit that most upset me. It sends a clear and loud message. What is clear is that I must learn to keep silent and focus my energies elsewhere."



June 2005 (15 Years Ago)


On the 22nd, Pete pens a new diary entry, where he admits his reservations about the efficacy of the next month's Live 8 benefit and says he and Roger only signed up to perform in order to meet The Spice Girls.



June 2006 (14 Years Ago)


The Who at Leeds 2006 The Who at Leeds 2006

On the 17th, Pete and Roger return to Leeds University, first for the unveiling of a Civic Trust plaque commemorating their 14 Feb. 1970 performance that became the Live at Leeds album. Afterwards The Who open their world tour in performance at the same refectory where they had played 36 years before. The Wire and Glass mini-opera gets its live premiere as well as the new song "Mike Post Theme." The audience in the packed auditorium swelters in the June heat. Spitfire Films shoots the show in HD but it remains unreleased.








June 2009 (11 Years Ago)


On the 9th, The Who's "My Generation" is selected by the National Recording Registry of the U.S. Library of Congress as one of twenty-five culturally significant recordings selected for preservation in a special sound archive.



June 2014 (6 Years Ago)

Roger Daltrey Pete Townshend Kenney Jones 2014 Roger Daltrey Pete Townshend Kenney Jones 2014
Photo: Roger Goodgroves

On the 14th, Roger and Pete Townshend reunite with Kenney Jones for their first performance together since 1988. They play a five song set at a festival held at the Hurtwood Park Polo Club. Dubbed the "Rock'n Horsepower" festival, the concert benefits UK Prostate Cancer. It was put together by Kenney Jones who had been suffering with prostate cancer over the last year.









June 2015 (5 Years Ago)

New music releases: "Can't Feel My Face" - The Weeknd; "679" - Fetty Wap ft. Remy Boyz; "Roses" - The Chainsmokers ft. Rozes; "Good for You" - Selena Gomez ft. ASAP Rocky

On the 1st, a new song, "Chameleon", with music by and peformed by Pete Townshend appears on YouTube. It comes from the album The Bastard's Tin by Des Horsfall's Kuschty Rye. The lyrics are by Ronnie Lane's ex-wife Kate Lane and is based on a letter she wrote Ronnie.

The Hillbenders Tommy CD The Hillbenders Tommy CD

On the 2nd the band The Hillbenders release their bluegrass version of Tommy: A Bluegrass Opry.

Classic Quadrophenia CD Classic Quadrophenia CD

On the 8th, the cd Pete Townshend's Classic Quadrophenia, featuring Rachel Fuller's orchestral arrangement of the entire work and lead vocal by Alfred Boe, is released. The deluxe ediiton comes with a DVD of the Quadrophenia: Can You See the Real Me? documentary.





Roger Daltrey Liam Gallgher TFI Friday Roger Daltrey Liam Gallgher TFI Friday
Photo: Jeff Spicer

On the 12th, Roger is a guest on Chris Evans' show on Channel 4 TFI Friday celebrating its 20 years on the air. Roger performs with Liam Gallagher.








The Who Hyde Park 2015 The Who Hyde Park 2015
Photo: Joe Russo

On the 21st, The Who start back to touring in Northern Ireland at the Odyssey Arena, Belfast then to 3Arena in Dublin, Ireland (23rd), Hyde Park, London for Barclaycard British Summer Time with Paul Weller, The Kaiser Chiefs, and Johnny Marr (26th), the final night of the Glastonbury Festival (28th) and Le Zenith in Paris (30th). The Hyde Park concert is later released on CD, vinyl, and blu-ray.










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Click on the Index button to go to the full history from the beginning through 2014.



Who LP cover

WHO - The New Album - #2 in U.S., #3 in U.K.!


The Ox Paul Rees

The Ox by Paul Rees
The authorized biography of John Entwistle


The Age of Anxiety

The Age of Anxiety
Pete Townshend's long-gestating first novel now in stores.


The Last Four Years

The Last Four Years
Anette Walter-Lax tells Spencer Brown all about living with Keith Moon during the last four years of his life. Now available from Amazon.


Tommy at 50 book

Tommy at 50 book
Chris Charlesworth and the cover's artist Mike McInnerney on 50 years of an amazing journey. Now wherever you buy books.


Lifehouse graphic novel

Lifehouse - The Graphic Novel
Based on Pete Townshend's original screenplay. Coming August 2020 from Heavy Metal


Thanks a Lot Mr. Kibblewhite

Thanks a Lot Mr. Kibblewhite
The NEW Roger Daltrey autobiography.


LetTheGoodTimesRoll

Let the Good Times Roll
The NEW Kenney Jones autobiography.


As Long As I Have You

As Long As I Have You
The NEW Roger Daltrey album. Featuring guitar from Pete Townshend.


Join Together (with the band)

Join Together (with the band)
The Who's official photographer with a book of his best pictures of the band. Click HERE to pre-order.


The Who Live at the Fillmore East 1968

Live at the Fillmore East 1968
At last! Just 50 years late! The official release of The Who live at the Fillmore East during The Who Sell Out tour. Mixed and mastered from multi-track tape.


Who Came First 45th Anniversary

Who Came First 45th Anniversary
Plus, a 2-CD edition of Pete's first solo album (with friends) featuring 8 previously unreleased tracks and new liner notes from Pete.


Quadrophenia and Mod(ern) Culture

Quadrophenia and Mod(ern) Culture
An expensive but interesting collection of essays analysing the times, the album, and the film. Click HERE to order.


The Who Maximum As and Bs

The Who Maximum A's and B's
All The Singles! (at last!) in one beautiful boxset.


The Who Isle of Wight 2004 DVD

The Who Live at the Isle of Wight 2004
Blu-Ray/2-CD set.


The Who On The Who book

The Who On The Who edited by Sean Egan. A large collection of uncut interviews with The Who.


PeteTownshend.net

PeteTownshend.net
THE home for all things
Townshend!


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As always, thanks to
John Atkins,
Richard Barnes,
Kevin Berger,
Chris Charlesworth,
Alan Clayson,
Tony Fletcher,
Ed Hanel,
Gary Herman,
Joe Giorgianni,
Bruce Kawakami,
Matt Kent,
Max Ker-Seymer,
Karen Kimber,
Olle Lundin,
"Irish Jack" Lyons,
Dave Marsh,
Alan McKendree,
Joe McMichael,
Andrew Motion,
Andy Neill,
Paul Rees
Scott Smith,
Christian Suchatzki,
John Swenson,
George Tremlett,
Richie Unterberger,
Dave van Staveren,
Mark Ian Wilkerson,
Stephen Wolter and all
the others who did
the original research
and provided the aid
that led to this page.


A note about photographs:
None of the photographs used
on this site are by
purchase agreement with
the original photographer.
I try to credit when I can
discover the name of the
original photographer but, in
most cases, sources in
newspapers, old copies of
Creem Magazine, and even some
Who books, do not credit
photographers. If you are the
photographer or represent the
photographer and you do not
want your photograph posted,
please get in touch
and I will remove it immediately.
This is a wholly non-profit site
(if you could see my bank account,
you'd know it's quite the opposite!)
established to provide an historical
overview of The Who.